Enys Men feels closer to a branch of cinema that is subtler and more concerned with unnamed, half-intuited dread than the direct confrontations of folk horror. It may be easy to liken the film to Robin Hardy's The Wicker Man (1973) and Piers Haggard's The Blood on Satan's Claw (1971) – two of British Folk Horror's most recognisable films – but the cinema it really feels indebted to is much quieter.
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